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Arkhip Kuindzhi: A collection of 177 paintings (HD) Description: "The Russian landscape painter Arkhip Ivanovich Kuinji was born in 1842 in the town of Mariupol on the Azov Sea in the South of Russia. Kuinji was of Greek descent – during the reign of Catherine II his ancestors, together with other Greek refugees, settled near the Azov Sea. Kuinji lacked a formal education, but his eminent gift helped him attain a notable success in art. He evidently was allowed to attend classes at the St. Petersburg Academy of Arts, had training in the workshop of the famous marine painter Ivan Aivazovsky, visited the classes of the Society of Art Lovers. In 1868, having passed exams in general education and special subjects at the Academy of Arts, Kuinji received a diploma of a freelance artist for his independent work. His earlier paintings Autumn Weather (1870), Lake Ladoga (1870) and On the Valaam Island (1873) brought him first recognition. In 1873, Kuinji traveled around Germany, France, Switzerland and Austria and thoroughly studied the works of great masters. On his return, however, he creates works which were absolutely unlike those he had seen in European museums. His Ukrainian Night (1876) opened a new romantic stage in his work. He used special light effects to paint nature and achieved such astonishing results, that people, who saw the picture for the first time at an exhibition, tried to check its back, if there was any special source of light. Exhibited at the Paris World Fair in 1878 The Ukranian Night attracted the attention of the eminent French critics. Kuinji developed a new vision in his next painting A Birch Grove (1879). It is both realistic and conventionalized; it looks as a condensed essence of reality. In 1880, he completed Moonlit Night on Dnieper (1880). The picture was a great success. Kuinji became an idol of the public. But he was not understood by his colleagues who saw in his art only illusory color effects, did not support his romantic searching. Probably it was the reason of his withdrawal from all exhibitions and public arrangements. He worked hard in his studio, experimenting much, but only his close friends saw his works. In 1894, he accepted an invitation to become a professor of the Academy. He was very fond of teaching and his students admired him. Among Kuinji’s pupils were several prominent artists such as N. Rerikh, K. Bogaevskiy, A. Rilov, V. Purvit and others. Unfortunately his career of a professor did not last long, he was dismissed for supporting students in their protests against authorities. But he continued to teach his students privately, and then paid for their trip around Europe. Later he presented the Academy with a big sum of money, the interest from which was to be used for awards to young painters. In 1909, he founded The Kuinji Society, an independent association of painters, to which he left all his pictures and property. The next year he died. " - SUBSCRIBE: 🤍youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: 🤍 Google+: 🤍 Contact: LearnFromMasters01🤍gmail.com SUPPORT MY WORK AT: 🤍 LIST OF ARTISTS already posted on LearnFromMasters: 🤍 - Thank you so much for your support!
A work that demonstrated the highest level of its master. A creator who put forth a challenge to his reputable colleagues. A presentation which left an indelible impression on the entire art community. _ Follow UATV English: Facebook: 🤍 Twitter: 🤍 Instagram: 🤍 Medium: 🤍 Watch UATV live: 🤍
Uma vantagem das facas artesanais é que elas guardam além do corte, histórias super interessantes, que atravessam gerações. Nesse video, Claudio Benevides vai a Jacareí, São Paulo, para conhecer a Arkhip. Lá ele foi recebido por Glaucia Zacharczuk Zakarov, que contou um pouco da história desta cutelaria, especializada em facas especiais, e suas principais criações. Esse é o primeiro de uma série que o canal vai produzir visitando as cutelarias do País. Você conhece alguma cutelaria que vale a pena ser visitada? Deixe nos comentários! Siga o F de Faca nas redes sociais: Instagram (🤍 e Facebook (🤍 Visite nosso site 🤍 Acesse o podcast F de Faca 🤍 Inscreva-se em nosso grupo do Telegram: 🤍 Preencha o formulário e receba nossa newsletter! 🤍 Esperamos você!
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Nesse episódio do Podcast F de Faca, Claudio conversa com Glaucia Zacharczuk Zakarov, que contou um pouco da história da Arkhip, cutelaria artesanal localizada em Jacareí, São Paulo. Assista também: Veja a visita em imagens: 🤍 Unboxing Arkhip: 🤍 Edição do podcast: Luize Sampaio Ficou alguma duvida? Quer saber mais? Pergunte! Comente! Siga o F de Faca nas redes sociais: Instagram (🤍 e Facebook (🤍 Visite nosso site 🤍 Acesse o podcast F de Faca 🤍 Inscreva-se em nosso grupo do Telegram: 🤍 Preencha o formulário e receba nossa newsletter!🤍 Esperamos você!
1872 was triumphant for Arkhip Kuindzhi, an artist from Mariupol. His two years of study at the Imperial Academy of Arts were not in vain. Here he learned the basic principles which he couldn’t master outside the academy as well as the method of realism in painting. Also, he became acquainted with Wanderers, who set the tone in art at the time. Under their influence, he painted a picture that made him a first-class artist. _ Subscribe to UATV English: 🤍 Facebook: 🤍 Twitter: 🤍 Instagram: 🤍 Medium: 🤍 Watch UATV live: 🤍
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Arkhip Ivanovich Kuindzhi was a Russian landscape painter of Greek descent. Thanks for watching!! Please LIKE, COMMENT, and SHARE. =) Thank You!! #ArkhipKuindzhiPaintings Please support our art channel by going to our online art gallery at 🤍 If you enjoy discussing or learning about art, check out our art blog at 🤍
Arkhip Ivanovich Kuindzhi (or Kuinji; Russian: Архи́п Ива́нович Куи́нджи 1842-1910 was a Russian landscape painter of Greek descent. Arkhip Kuindzhi was born in January 1842 (1841?) in Mariupol (nowadays Ukraine) but spent his youth in the city of Taganrog. His Christian name is a Russian rendering of the Greek, Ἄρχιππος, (Archippos, from ἄρχος (archos) "master" and ἱππος (hippos) "horse": "master of horses"; cf. Colossians 4:17; ) and his surname came from his grandfather's vocational nickname meaning 'goldsmith' in Tatar (cf. Turkish, kuyumcu). He grew up in a poor family; his father was a Pontic Greek shoemaker, Ivan Khristoforovich Kuindzhi (sometimes spelt Emendzhi). Arkhip was six years old when he lost his parents, so he was forced to make a living working at a church building site, grazing domestic animals, and working at the corn merchant's shop. He received the rudiments of an education from a Greek friend of the family who was a teacher and then went to the local school. In 1855, at age 13–14, Kuindzhi visited Feodosia to study art under Ivan Aivazovsky, however, he was engaged merely with mixing paints and instead studied with Adolf Fessler, Aivazovsky's student. A 1903 encyclopedic article stated: "Although Kuindzhi cannot be called a student of Aivazovsky, the latter had without doubt some influence on him in the first period of his activity; from whom he borrowed much in the manner of painting." English art historian John E. Bowlt wrote that "the elemental sense of light and form associated with Aivazovskys sunsets, storms, and surging oceans permanently influenced the young Kuindzhi." During the five years from 1860 to 1865, Arkhip Kuindzhi worked as a retoucher in the photography studio of Simeon Isakovich in Taganrog. He tried to open his own photography studio, but without success. After that Kuindzhi left Taganrog for Saint Petersburg. He studied painting mainly independently and at the St. Petersburg Academy of Arts (from 1868; a full member since 1893). He was co-partner of traveling art exhibitions (Peredvizhniki), a group of Russian realist artists who in protest to academic restrictions formed an artists' cooperative which evolved into the Society for Traveling Art Exhibitions (Peredvizhniki) in 1870. In 1872 the artist left the academy and worked as a freelancer. The painting On the Valaam Island was the first artwork which Pavel Tretyakov acquired for his art gallery. In 1873 Kuindzhi exhibited his painting The Snow which received the bronze medal at the International Art Exhibition in London in 1874. In the middle of the 1870s he created a number of paintings in which the landscape motif was designed for concrete social associations in the spirit of Peredvizhniki (Forgotten village, 1874; Chumatski path, 1875; both – in the Tretyakov Gallery). In his mature period Kuindzhy aspired to capture the most expressive illuminative aspect of the natural condition. He applied composite receptions (high horizon, etc.), creating panoramic views. Using light effects and intense colors shown in main tones, he depicted the illusion of illumination (Evening in Ukraine, 1876; Birch Grove, 1879; After a thunderstorm, 1879; all three are in the Tretyakov Gallery; Night on the Dnepr, 1880 in the Russian Museum, St.Petersburg). His later works are remarkable for their decorative effects of color building. Kuindzhi lectured at the St. Petersburg Academy of Arts (Professor since 1892; professor-head of landscape workshop since 1894; but was fired in 1897 for support of students' protests). Among his students were artists such as Arkady Rylov, Nicholas Roerich, Konstantin Bogaevsky, and others. Kuindzhi initiated creation of the Society of Artists (1909; later – the Society was named after A.I. Kuindzhi). 🤍 Thank you, please subscribe for future videos 🤍
A piece of art which has defined its time. A painter who everyone gave up on. A deed that continues to amaze people for more than a century. _ Subscribe to UATV English: 🤍 Facebook: 🤍 Twitter: 🤍 Instagram: 🤍 Medium: 🤍 Watch UATV live: 🤍
No primeiro recebidos do canal, mostramos nossas novas facas, ambas com o nome do canal gravado na lâmina: a picanheira baby, uma versão com a guarda de alumínio e menor da faca mais vendida pela cutelaria, e a Yassai, faca de cortar legumes japonesa. Amamos! Em breve faremos alguns videos com elas! Aguardem!!!! Para saber mais sobre as facas, acesse 🤍arkhip.com.br Siga o F de Faca nas redes sociais: Instagram (🤍 e Facebook (🤍 Visite nosso site 🤍 Acesse o podcast F de Faca 🤍 Inscreva-se em nosso grupo do Telegram: 🤍 Preencha o formulário e receba nossa newsletter! 🤍 Esperamos você!
Arkhip Kuindzhi, January 27, 1842 - July 24, 1910. Russian painter, master of landscape painting, representative of the Russian school of luminism (impressionism).
Arkhip Ivanovich Kuindzhi was born 27 January 1841, died 24 July 1910, he was a Russian landscape painter of Pontic Greek descent active in the Russian Empire. He studied painting mainly independently and at the St. Petersburg Academy of Arts. He was co-partner of travelling art exhibitions, a group of realist artists of Russian Empire who in protest to academic restrictions formed an artists' cooperative which evolved into the Society for Traveling Art Exhibitions in 1870. #WorldArtsAndArtists - Follow Us : worldartsandartists🤍gmail.com fb.me/worldartsandartists +91 9840 607646 🤍whatsapp - Advertising Partner: Are you interested to learn drawing and painting professionally For More Details : 9944 341 414 / 🤍 -
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tonykwk39🤍gmail.com The Russian landscape painter Arkhip Ivanovich Kuinji was born in 1842 in the town of Mariupol on the Azov Sea in the South of Russia. Kuinji was of Greek descent – during the reign of Catherine II his ancestors, together with other Greek refugees, settled near the Azov Sea. Kuinji lacked a formal education, but his eminent gift helped him attain a notable success in art. He evidently was allowed to attend classes at the St. Petersburg Academy of Arts, had training in the workshop of the famous marine painter Ivan Aivazovsky, visited the classes of the Society of Art Lovers. In 1868, having passed exams in general education and special subjects at the Academy of Arts, Kuinji received a diploma of a freelance artist for his independent work. His earlier paintings Autumn Weather (1870), Lake Ladoga (1870) and On the Valaam Island (1873) brought him first recognition. In 1873, Kuinji traveled around Germany, France, Switzerland and Austria and thoroughly studied the works of great masters. On his return, however, he creates works which were absolutely unlike those he had seen in European museums. His Ukrainian Night (1876) opened a new romantic stage in his work. He used special light effects to paint nature and achieved such astonishing results, that people, who saw the picture for the first time at an exhibition, tried to check its back, if there was any special source of light. Exhibited at the Paris World Fair in 1878 The Ukranian Night attracted the attention of the eminent French critics. Kuinji developed a new vision in his next painting A Birch Grove (1879). It is both realistic and conventionalized; it looks as a condensed essence of reality. In 1880, he completed Moonlit Night on Dnieper (1880). The picture was a great success. Kuinji became an idol of the public. But he was not understood by his colleagues who saw in his art only illusory color effects, did not support his romantic searching. Probably it was the reason of his withdrawal from all exhibitions and public arrangements. He worked hard in his studio, experimenting much, but only his close friends saw his works. In 1894, he accepted an invitation to become a professor of the Academy. He was very fond of teaching and his students admired him. Among Kuinji’s pupils were several prominent artists such as N. Rerikh, K. Bogaevskiy, A. Rilov, V. Purvit and others. Unfortunately his career of a professor did not last long, he was dismissed for supporting students in their protests against authorities. But he continued to teach his students privately, and then paid for their trip around Europe. Later he presented the Academy with a big sum of money, the interest from which was to be used for awards to young painters. In 1909, he founded The Kuinji Society, an independent association of painters, to which he left all his pictures and property. The next year he died. The other well-known works of Kuinji are A Birch Grove (1879), with one of its late versions A Birch Grove (1901), The North (1879), After a Rain (1879), Sea. The Crimea. (1898-1908), Elbrus in the Evening. (1898-1908), Sunset (1890-1895), Rainbow (1900-1905), Night Grazing (1905-1908). 俄羅斯風景畫家諾維奇·庫南居在馬里烏波爾在亞速海在俄羅斯南部小鎮出生於1842年。 Kuinji是希臘後裔 - 葉卡捷琳娜二世他的祖先在位期間,與其他希臘難民在一起,附近的亞速海落戶。 庫南居缺乏正規教育,但他傑出的天賦幫助他獲得藝術上的一個顯著的成功。他顯然被允許在聖上課藝術聖彼得堡學院,曾在訓練的著名畫家海洋伊万AIVAZOVSKY的生產車間,參觀了藝術愛好者協會的類。 1868年,在普通教育和藝術學院專題已通過考試,Kuinji獲得了自由藝術家的文憑為他的獨立工作。他早期的繪畫秋季天氣(1870),拉多加湖(1870),並在瓦拉姆群島島(1873年),為他帶來了第一個認可。 1873年,庫南居周遊德國,法國,瑞士,奧地利和深入的研究大師的作品。在他的回歸,然而,他創建這是絕對不像他在歐洲的博物館看到的作品。 他的烏克蘭之夜(1876年)在他的工作開闢了新的浪漫舞台。他用特殊的燈光效果油漆性質,取得如此驚人的成績,那人,誰看到了第一次展覽會之畫,試圖檢查其背部,如果有任何光線的特殊來源。在巴黎世界博覽會於1878年的烏克蘭之夜吸引了法國著名評論家的注意展出 庫南居在他的下畫樺樹林(1879)開發了一種新的視野。它既是現實的,約定俗成的;它看起來現實的濃縮精華。 1880年,他完成了春江花月夜在第聶伯河(1880年)。圖片是一個巨大的成功。 Kuinji成為公眾的偶像。但他沒有被他的同事誰在他的藝術只能看到虛幻的色彩效果,不支持他的浪漫搜索的理解。也許這是他的所有展覽和公眾安排撤離的原因。他在他的工作室努力,試驗多,但只有他親密的朋友看到他的作品。 1894年,他接受了邀請,成為該學院的教授。他非常喜歡教學和他的學生欽佩他。在庫南居的眼裡幾個著名的藝術家,如N. Rerikh,K. Bogaevskiy,A. Rilov,五Purvit等。不幸的是他的一位教授的職業生涯並沒有持續多久,他被開除了他們對當局的抗議配套的學生。但是,他繼續教私下他的學生,然後支付了他們在歐洲各地旅行。後來,他提出了與學院的一大筆錢,利息從它是要用於獎勵年輕畫家。 1909年,他創立了庫南居協會,畫家的一個獨立的協會,現在,他把自己所有的圖片和財產。第二年,他就死了。 Kuinji的其他著名作品有樺樹林(1879年),樺樹林較晚版本之一(1901),北(1879),雨(1879年),後海。克里米亞。 (1898至1908年),厄爾布魯士在晚上。 (1898至1908年),日落(1890年至1895年),彩虹(一九○○年至1905年),晚放牧(1905至1908年)。
See full Interactive video on the The Cloud by Arkhip Kuindzhi at the Odesa Fine Arts Museum 🤍 View more of other museums Interactive Videos 🤍 🤍
Minha coleção de facas. Arkhip e Zakharov são excelentes facas que se destacam pela sua dureza, portanto seu fio tende a durar mais tempo.
Welcome to a studio of Arkhip Kuindzhi (1842 – 1910), a Russian landscape painter of Greek origin, born in Ukraine, moved to St. Petersburg, studied art independently at the Fine Arts Academy, later became a professor of the Academy, initiated the creation of Artists’ society; still very popular in Russia.
Arkhip Ivanovich Kuindzhi (or Kuinji; Russian: Архип Иванович Куинджи; January 27, 1842(?) – July 24, 1910) was a Russian landscape painter of Greek descent. Arkhip Kuindzhi was born in January 1842 (1841?) in Mariupol (nowadays Ukraine) but spent his youth in the city of Taganrog. His Christian name is a Russian and Ukrainian rendering of the Greek, Ἄρχιππος, (Archippos, from ἄρχος (archos) "master" and ἱππος (hippos) "horse": "master of horses"; cf. Colossians 4:17; ) and his surname came from his grandfather's vocational nickname meaning 'goldsmith' in Tatar (cf. Turkish, kuyumcu).[ He grew up in a poor family; his father was a Greek shoemaker, Ivan Khristoforovich Kuindzhi (sometimes spelt Emendzhi). Arkhip was six years old when he lost his parents, so he was forced to make a living working at a church building site, grazing domestic animals, and working at the corn merchant's shop. He received the rudiments of an education from a Greek friend of the family who was a teacher and then went to the local school. In 1855, at age 13–14, Kuindzhi visited Feodosia to study art under Ivan Aivazovsky, however, he was engaged merely with mixing paints and instead studied with Adolf Fessler, Aivazovsky's student. A 1903 encyclopedic article stated: "Although Kuindzhi cannot be called a student of Aivazovsky, the latter had without doubt some influence on him in the first period of his activity; from whom he borrowed much in the manner of painting." English art historian John E. Bowlt wrote that "the elemental sense of light and form associated with Aivazovsky's sunsets, storms, and surging oceans permanently influenced the young Kuindzhi." During the five years from 1860 to 1865, Arkhip Kuindzhi worked as a retoucher in the photography studio of Simeon Isakovich in Taganrog. He tried to open his own photography studio, but without success. After that Kuindzhi left Taganrog for Saint Petersburg. He studied painting mainly independently and at the St. Petersburg Academy of Arts (from 1868; a full member since 1893). He was co-partner of traveling art exhibitions (Peredvizhniki), a group of Russian realist artists who in protest to academic restrictions formed an artists' cooperative which evolved into the Society for Traveling Art Exhibitions (Peredvizhniki) in 1870. In 1872 the artist left the academy and worked as a freelancer. The painting On the Valaam Island was the first artwork which Pavel Tretyakov acquired for his art gallery. In 1873 Kuindzhi exhibited his painting The Snow which received the bronze medal at the International Art Exhibition in London in 1874. In the middle of the 1870s he created a number of paintings in which the landscape motif was designed for concrete social associations in the spirit of Peredvizhniki (Forgotten village, 1874; Chumatski path, 1875; both – in the Tretyakov Gallery). In his mature period Kuindzhy aspired to capture the most expressive illuminative aspect of the natural condition. He applied composite receptions (high horizon, etc.), creating panoramic views. Using light effects and intense colors shown in main tones, he depicted the illusion of illumination (Evening in Ukraine, 1876; Birch Grove, 1879; After a thunderstorm, 1879; all three are in the Tretyakov Gallery; Night on the Dnepr, 1880 in the Russian Museum, St.Petersburg). His later works are remarkable for their decorative effects of color building. Kuindzhi lectured at the St. Petersburg Academy of Arts (Professor since 1892; professor-head of landscape workshop since 1894; but was fired in 1897 for support of students' protests). Among his students were artists such as Arkady Rylov, Nicholas Roerich, Konstantin Bogaevsky, and others. Kuindzhi initiated creation of the Society of Artists (1909; later – the Society was named after A.I. Kuindzhi). Music: 1. Amazing Grace 2011 Classical Whimsical. 2. Evening Fall Harp 3. Facile.
THE DOG'S STORY - part II | Arkhip Varfolomeev | 2019 | 6'50 | Russia -Belgium Animation studio DAR by Ekaterina Ogorodnikova, Saint-Petersburg, Russia/ Ghent, Belgium Whatever happens is for the better! A chain of random events lead to the most unusual circumstances. AWARDS «The Best Animated Film» Chiyoko International Children & Youth Animation Film Festival, Zurich, Switzerland, 2019 The Laureate of the Russian competition of children's animation studios "Утренняя зарядка", Suzdal, Russia, 2019 "The junior finalists" Fresh International Film Festival, Limerick, Ireland, 2020 "Semi-finalist" International film festival Children Cinema Adwards, Amsterdam, Netherlands, 2020 "Second Prize in MIDI category" International film festival VAFI&RAFI, Varaždin, Groatia, 2020 "2ND PLACE win in the ANIMATION/STOP MOTION 13-17" The International KidsNFilm Festival, Solano country, California 2020 SCREENINGS OFFICIAL SELECTION International Animation Festival AJAYU, Puno, Peru, 2019 OFFICIAL SELECTION 19th Camera Zizanio, Pyrgos, Greece, 2019 OFFICIAL SELECTION Russian festival audiovisual arts «Полярная сова», Norilsk, Russia OFFICIAL SELECTION Bay Area International Children's Film Festiva, California, US, 2020 OFFICIAL SELECTION SHORT TO THE POINT, Brasov, Romania, 2020 OFFICIAL SELECTION Festival VAFI & RAFI, Varaždin, Croatia, 2020 OFFICIAL SELECTION Super International Teenager Film Festival, Bucharest, Romania, 2020 OFFICIAL SELECTION The International Film Festival KinodueL, Minsk, Belarus, 2020 OFFICIAL SELECTION Festival Corti a Ponte, Ponte San Nicolò, Italy, 2020 OFFICIAL SELECTION 7th European festival of animated films for children and youth "Animator Fest", Jagodin,Serbia 2020 OFFICIAL SELECTION III ANIMAFILM International Animation Festival, Baku, Azerbaijan, 2020
zaur omarovi - arkhip shulzhenko - European Cadet Taekwondo Championships - 2022 - 1/8 final
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PDVL SPOT 💥 это танцевальное пространство открытое для свободных тренировок танцоров всех стилей и направлений. Тренируйся в любой день, в любое удобное для тебя время с 12 до 24, неограниченно и даже можете провести индивидуальное занятие 😉 Зал находится в 3 минутах ходьбы 👟 от метро Электрозаводская. Улица Малая Семеновская, дом 5 строение 1. Арт-кластер "Гамма". 5 этаж. Площадка работает каждый день ⏱ с 12:00 до 24:00. 💰 Стоимость посещения - 300Р. 🧨 Время посещения неограниченно. Подробности в группе ВКонтакте: vk.com/pdvl_spot
Hi there!) My name is Arkhip (again?)! I'm from Russia and I really wonna be an actor! But I need your help couse I'm gonna improve my english by speaking with you in english and making english video!)) So, see you!! Subscribe and comment, please)
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Faca Sashimi Peça a sua (12) 988416512 Melhor faca Oriental Faca Culinária Japonesa Arkhip Afiação e manutenção gratuita sempre que precisar
Link: 🤍 Make: Bart Model: Cloud Creator: Arkhip Kuindzhi Rating: Easy Pieces: 49 Description: BART Premium Wooden Jigsaw Puzzle - Simple Art - Arkhip Kuindzhi Cloud - Beautiful Gift Package for Adults and Kids - 49 Unique Laser Cut Pieces NEW LOOK OF WORLD ART CLASSICS – Experience the world's finest masterpieces at your fingertips. Take a fresh look at the familiar paintings. Pop-art style brings new colors and atmosphere. EASY ASSEMBLY – Enjoy your time and assemble a wooden jigsaw with mosaic-like whimsy puzzle pieces in each set. A special outer frame will make this process an easy walk. HIGH-QUALITY MATERIALS – All BART puzzles are made of high-quality maple plywood. We use laser technologies for precision cutting. You can assemble these jigsaws as often as you want — puzzle pieces won't break and will bring you joy every time. GREAT GIFT – Simplicity makes this jigsaw suitable for all ages. Assemble it solo or with kids and friends — one jigsaw will bring you entertainment and a relaxing atmosphere. Moreover, the puzzle is already packed in a lovely wooden gift box. INTERIOR DECORATION – Assembled Simple Art jigsaw will become an excellent decoration for your home or office. You can hang it on the wall or place it on the bookshelf.
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Provided to YouTube by The Orchard Enterprises Feat of Arms of Arkhip Osipov (March 22, 1840) · The Male Choir of Valaam Singing Culture Institute Russian Warrior's Songs, Vol.2 ℗ 2012 Russian Compact Disc Released on: 2001-07-01 Auto-generated by YouTube.